Ircam-Centre Pompidou

Recherche

  • Recherche simple
  • Recherche avancée

    Panier électronique

    Votre panier ne contient aucune notice

    Connexion à la base

  • Identification
    (Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)

    Entrepôt OAI-PMH

  • Soumettre une requête

    Consulter la notice détailléeConsulter la notice détaillée
    Version complète en ligneVersion complète en ligne
    Version complète en ligne accessible uniquement depuis l'IrcamVersion complète en ligne accessible uniquement depuis l'Ircam
    Ajouter la notice au panierAjouter la notice au panier
    Retirer la notice du panierRetirer la notice du panier

  • English version
    (full translation not yet available)
  • Liste complète des articles

  • Consultation des notices


    Vue détaillée Vue Refer Vue Labintel Vue BibTeX  

    Catégorie de document Contribution à un colloque ou à un congrès
    Titre Simultaneous Measurements of Pressure, Flow and Sound During Trumpet Playing
    Auteur principal Vincent FRÉOUR
    Co-auteurs René Caussé, Isabelle Cossette
    Colloque / congrès 10ème Congrès Français d'Acoustique. Lyon : Avril 2010
    Comité de lecture Oui
    Année 2010
    Statut éditorial Publié
    Résumé

    Sound production during trumpet playing implies the interaction between the performer and his instrument which requires the coordination between physiological and physical parameters under the performer's direct control. For brass instruments, some of the main issues rely on the estimation of specific parameters such as mouth pressure, lip mechanical properties and driving volume flow. A few studies (1,2,4,5,6) estimated these parameters but the measurements were not simultaneous. Their results are partial and the effect on sound quality is not addressed. In respiratory mechanics, the standard methods to measure lung volumes and flows usually require the subject to breathe through a mouthpiece and a measuring device (flowmeter) or to have their body constrained in an unnatural posture (Head-out whole body plethysmography) (2). Optoelectronic Plethysmograph (OEP) is an appropriate method to estimate performers' respiratory volumes as a function of time during playing (3). IRCAM Paris adapted an embedded air velocity sensor on the tuning slide of a Yamaha Bb trumpet. The combination of both set-ups gives simultaneous data of operating volumes and flows, radiated sound and mouth static pressure during advanced trumpet playing (Respiratory mechanics lab- CIRMMT, Schulich School of Music, McGill University and Instrumental Acoustics laboratory, IRCAM). It also allows to compare both processes and to evaluate their efficiency according to specific musical tasks. Previous studies showed that sound frequency and amplitude increase with pressure and flow increases. Average flows reported range from 180 to 630 ml/s (1,2,4,5,6). Preliminary analysis of our data showed peak flows up to 950 ml/s during low fortissimo notes. Correlations between these physical control parameters and some sound characteristics (pitch, sound pressure level, noisiness) are demonstrated. 1. Bouhuys A. (1964), 2. Bouhuys A. (1969), 3. Cossette I, Monaco P, Aliverti, A , Macklem, P. (2008), 4. Fletcher NH and Tarnopolsky A. (1999), 5. Pawlowski Z, Zoltowski M. (1985), 6. Pawlowski Z, Zoltowski M. (1987).

    Mots-clés trumpet playing / sound production / simultaneous measurements
    Equipe Acoustique instrumentale
    Cote Freour10b
    Adresse de la version en ligne http://articles.ircam.fr/textes/Freour10b/index.pdf

    © Ircam - Centre Pompidou 2005.