Ircam-Centre Pompidou

Recherche

  • Recherche simple
  • Recherche avancée

    Panier électronique

    Votre panier ne contient aucune notice

    Connexion à la base

  • Identification
    (Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)

    Entrepôt OAI-PMH

  • Soumettre une requête

    Consulter la notice détailléeConsulter la notice détaillée
    Version complète en ligneVersion complète en ligne
    Version complète en ligne accessible uniquement depuis l'IrcamVersion complète en ligne accessible uniquement depuis l'Ircam
    Ajouter la notice au panierAjouter la notice au panier
    Retirer la notice du panierRetirer la notice du panier

  • English version
    (full translation not yet available)
  • Liste complète des articles

  • Consultation des notices


    Vue détaillée Vue Refer Vue Labintel Vue BibTeX  

    Catégorie de document Contribution à un colloque ou à un congrès
    Titre Influence of pad "resonators" on saxophone
    Auteur principal Pauline Eveno
    Co-auteurs Marthe Curtit, Jean-Pierre Dalmont, René Caussé
    Colloque / congrès Stockholm Music Acoustics Conference. Stockholm : Août 2013
    Comité de lecture Oui
    Année 2013
    Statut éditorial Publié
    Résumé

    Toneholes have an important role in the acoustics of woodwind instruments. In the saxophone, the toneholes are surmounted by a key provided with a pad and what musicians and artisans refer as a “resonator”. They are flat disks made of metal or plastic fixed in the middle of the pad and are called with the acoustically neutral term “cover” in the article. In order to understand their role, measurements of the input impedance of a cylinder topped by a key with interchangeable pads (with and without covers) are performed. For closed holes, pads with covers have a low absorption coefficient; for open holes, effects of the covers on the radiation are highlighted when the key is at a small height. An analysis of the vibrations of the pads shows that these effects can be explained by the high mobility of the pads without a cover, which seems to act as a stiffener. Then, the input impedance measurement of an entire saxophone confirms that, when the holes are closed, the effect of a pad without a cover is to increase the damping. The effect on open holes is close to negligible. Finally, measurements in playing situations show that saxophones without covers have higher harmonic spectral centroids and require greater mouth pressure.

    Equipe Acoustique instrumentale
    Cote Eveno13a

    © Ircam - Centre Pompidou 2005.