Recherche
Recherche simple
Recherche avancée
Panier électronique
Votre panier ne contient aucune notice
Connexion à la base
Identification
(Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)
Entrepôt OAI-PMH
Soumettre une requête
| Consulter la notice détaillée |
| Version complète en ligne |
| Version complète en ligne accessible uniquement depuis l'Ircam |
| Ajouter la notice au panier |
| Retirer la notice du panier |
English version
(full translation not yet available)
Liste complète des articles
|
Consultation des notices
%0 Conference Proceedings
%A Bertet, Stéphanie
%A Daniel, Jérôme
%A Parizet, Etienne
%A Warusfel, Olivier
%T Influence of microphone and loudspeaker setup on perceived higher order ambisonics reproduced sound field
%D 2009
%B Ambisonics Symposium 2009
%C Graz
%F Bertet09b
%K HOA (High Order Ambisonics)
%K loudspeaker setup
%K perceptual evaluation
%X Among the spatial audio reproduction techniques, the ambisonic approach is based on a spherical harmonics sound field decomposition. By truncating the decomposition to the Mth order, a finite number of ambisonic components that form the spatial ambisonic format remains and gives a partial recreation of the sound field. The higher the order M is, the more accurate the sound field is reproduced. Microphone arrays are used to encode natural sound field into spatial components. The encoded sound field is then decoded for a dedicated reproduction system. The goal of this study was to evaluate the influence of these devices. In a first experiment, four ambisonic microphones (from first to fourth order) were evaluated. Six sound scenes were reproduced over a fixed loudspeaker setup. In a second experiment, synthetic encoding processes from first to fourth order were reproduced on different loudspeaker configurations. Besides the ambisonic order, the encoding and reproduction systems also had a perceived influence on the reproduced sound field.
%1 7
%2 1
|
|