Recherche
Panier électronique
Votre panier ne contient aucune notice
Connexion à la base
(Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)
Entrepôt OAI-PMH
 | Consulter la notice détaillée |
 | Version complète en ligne |
 | Version complète en ligne accessible uniquement depuis l'Ircam |
 | Ajouter la notice au panier |
 | Retirer la notice du panier |
(full translation not yet available)
Consultation des notices
| Vue détaillée | Vue Refer | Vue Labintel | Vue BibTeX |
|
%0 Journal Article %A Caramiaux, Baptiste %A Françoise, Jules %A Schnell, Norbert %A Bevilacqua, Frédéric %T Mapping Through Listening %D 2014 %E Doug Keislar %B Computer Music Journal %F Caramiaux14c %X Gesture-to-sound mapping is generally defined as the association between gestural and sound parameters. This article describes an approach that brings forward the perception–action loop as a fundamental design principle for gesture–sound mapping in digital music instrument. Our approach considers the processes of listening as the foundation—and the first step—in the design of action–sound relationships. In this design process, the relationship between action and sound is derived from actions that can be perceived in the sound. Building on previous work on listening modes and gestural descriptions, we propose to distinguish between three mapping strategies: instantaneous, temporal, and metaphorical. Our approach makes use of machine-learning techniques for building prototypes, from digital music instruments to interactive installations. Four different examples of scenarios and prototypes are described and discussed. %1 1 %2 2 |