Recherche

Recherche simple

Recherche avancée

Panier électronique

Votre panier ne contient aucune notice

Connexion à la base

Identification

(Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)

Entrepôt OAI-PMH

Soumettre une requête

	Consulter la notice détaillée
	Version complète en ligne
	Version complète en ligne accessible uniquement depuis l'Ircam
	Ajouter la notice au panier
	Retirer la notice du panier

English version

(full translation not yet available)

Liste complète des articles

Consultation des notices

Vue détaillée

Vue Refer

Vue Labintel

Vue BibTeX

%0 Conference Proceedings
%A Corteel, Etienne
%A Caulkins, Terence
%A Warusfel, Olivier
%A Pellegrini, Renato
%A Rosenthal, Matthias
%A Kuhn, Clemens
%T Sound Scene Creation using Wave Field Synthesis
%D 2004
%B Journées du Design Sonore
%C Paris
%F Corteel04c
%K Wave Field Synthesis
%K sound scene
%K sound design
%X Wave Field Synthesis (WFS) provides holophonic sound reproduction allowing for the reproduction of the acoustical properties of a sound field over an extended listening area. Rendering accuracy is independent of listener position and/or orientation (which resolves the issue of having a single "sweet-spot"). Moreso, contrarily to virtual reality systems based on binaural reproduction, no tracking devices, processing power, or input devices are needed in order to keep track of user movements within the listening area. WFS aims at reproducing the true physical attributes of a given sound field over an extended area of the listening room. It is based on Huyghens’ principle (1678) which states that a wave propagating through a medium can be recreated by adding the contributions of a series of secondary sources positioned along a given wave front. Mathematical formulations of this principle were studied by different physicians and are known as Kirchoff-Helmholtz and Rayleigh integrals.
%1 6
%2 1