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62 documents correspondent à votre requête

Livshin, Arie	The importance of the non-harmonic residual for automatic musical instrument recognition of pitched instruments [Livshin06a] [3]		2006
Marin, Cécile	The Role of Auditory Beats Induced by Frequency Modulation and Polyperiodicity in the Perception of Spectrally Embedded Complex Target Sounds [Marin96a] [1]		1996
Vinet, Hugues	The SemanticHIFI Project : Content-based Management and Manipulation of Musical Recordings [Vinet05c] [3]		2005
Livshin, Arie	The Significance of the Non-Harmonic “Noise” Versus the Harmonic Series for Musical Instrument Recognition [Livshin06c] [3]		2006
Donin, Nicolas	Theoretical and Methodological Issues Related to Long Term Creative Cognition: the Case of Musical Composition [Donin07c] [1]		2007
Dubnov, Shlomo	Timbre Characterisation and Recognition with Combined Stationary and Temporal Features [Dubnov98b] [3]		1998
Vassilios-Fivos, Maniatakos	Towards an affective gesture interface for expressive music performance [VassiliosFivos08a] [3]		2008
Maniatakos, Fivos	Towards an affective gesture interface for expressive music performance [Maniatakos08a] [3]		2008
Donin, Nicolas	Tracking the composer’s cognition in the course of a creative process: Stefano Gervasoni and the beginning of Gramigna [Donin12a] [1]		2012
Lartillot, Olivier	Une analyse musicale automatique suivant une heuristique perceptive. [Lartillot03a] [3]		2003