Recherche

Recherche simple

Recherche avancée

Panier électronique

Votre panier ne contient aucune notice

Connexion à la base

Identification

(Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)

Entrepôt OAI-PMH

Soumettre une requête

	Consulter la notice détaillée
	Version complète en ligne
	Version complète en ligne accessible uniquement depuis l'Ircam
	Ajouter la notice au panier
	Retirer la notice du panier

English version

(full translation not yet available)

Liste complète des articles

Consultation des notices

Vue détaillée

Vue Refer

Vue Labintel

Vue BibTeX

%0 Conference Proceedings
%A Caramiaux, Baptiste
%A Susini, Patrick
%A Bianco, Tommaso
%A Bevilacqua, Frédéric
%A Houix, Olivier
%A Schnell, Norbert
%A Misdariis, Nicolas
%T Gestural Embodiment of Environmental Sounds: an Experimental Study
%D 2011
%B New Interfaces for Musical Expression (NIME)
%F Caramiaux11a
%K Embodiment
%K Environmental Sound Perception
%K Listening
%K Gesture Sound Interaction
%X In this paper we present an experimental study concerning gestural embodiment of environmental sounds in a listening context. The presented work is part of a project aiming at modeling movement-sound relationships, with the end goal of proposing novel approaches for designing musical instruments and sounding objects. The experiment is based on sound stimuli corresponding to ``causal'' and ``non-causal'' sounds. It is divided into a performance phase and an interview. The experiment is designed to investigate possible correlation between the perception of the ``causality'' of environmental sounds and different gesture strategies for the sound embodiment. In analogy with the perception of the sounds' causality, we propose to distinguish gestures that ``mimic'' a sound's cause and gestures that ``trace'' a sound's morphology following temporal sound characteristics. Results from the interviews show that, first, our causal sounds database lead to consistent descriptions of the action at the origin of the sound and participants mimic this action. Second, non-causal sounds lead to inconsistent metaphoric descriptions of the sound and participants make gestures following sound ``contours''. Quantitatively, the results show that gesture variability is higher for causal sounds that non-causal sounds.
%1 6
%2 3
%U http://articles.ircam.fr/textes/Caramiaux11a/