Catégorie de document |
Contribution à un colloque ou à un congrès |
Titre |
Comparaison de profils sémantiques et de l'espace perceptif de timbres musicaux |
Auteur principal |
Anne Faure |
Co-auteur |
Stephen McAdams |
Colloque / congrès |
CFA: Congrès Français d'Acoustique. Marseille : Avril 1997 |
Comité de lecture |
Indéterminé |
Volume |
1 |
Collation |
p.625-628 |
Copyright |
S.F.A., TEKNEA |
Année |
1997 |
Statut éditorial |
Publié |
Résumé |
The purpuse of this study is to compare semantical profiles
and perceptual dimensions of musical timbre. In a previous
experiment, we extracted 23 most often used verbal attributes
from spontaneous verbalizations describing similarities and
differences between pairs of timbres and we tried to compare
their use with the relative positions of timbres along each
perceptual dimension. In this experiment, we used a VAME
paradigm to test more quantitatively these verbal attributes.
12 synthetic sounds were presented and rated on each of the
23 unipolar semantic scales. Several distances (ether
euclidien or from Tversky's model of similarity) between
timbres were then calculated and the MDS semantical models
obtained were compared to perceptual one. The structure of
semantical and perceptual models differed a lot and the
correlations with the semantical scales leads us to prefer a
model in two dimensions without specificities derived from a
distance directly obtained from Tversky's model.
|
Mots-clés |
perception / verbalisation / timbre / sémantique / |
Equipe |
Perception et cognition musicales |
Cote |
Faure97a |
Adresse de la version en ligne |
http://articles.ircam.fr/textes/Faure97a |
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